Home sweet Home
Wednesday 22 September 2010
Sunday 15 August 2010
The Sailors Song
It is an ancient Mariner,
And he stoppeth one of three.
'By thy long grey beard and glittering eye,
Now wherefore stopp'st thou me?
The bridegroom's doors are opened wide,
And I am next of kin;
The guests are met, the feast is set:
Mayst hear the merry din.'
He holds him with his skinny hand,
"There was a ship," quoth he.
'Hold off! unhand me, grey-beard loon!'
Eftsoons his hand dropped he.
He holds him with his glittering eye—
The Wedding-Guest stood still,
And listens like a three years' child:
The Mariner hath his will.
The Wedding-Guest sat on a stone:
He cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.
"The ship was cheered, the harbour cleared,
Merrily did we drop
Below the kirk, below the hill,
Below the lighthouse top.
The sun came up upon the left,
Out of the sea came he!
And he shone bright, and on the right
Went down into the sea.
Higher and higher every day,
Till over the mast at noon—"
The Wedding-Guest here beat his breast,
For he heard the loud bassoon.
The bride hath paced into the hall,
Red as a rose is she;
Nodding their heads before her goes
The merry minstrelsy.
The Wedding-Guest he beat his breast,
Yet he cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.
"And now the storm-blast came, and he
Was tyrannous and strong:
He struck with his o'ertaking wings,
And chased us south along.
With sloping masts and dipping prow,
As who pursued with yell and blow
Still treads the shadow of his foe,
And foward bends his head,
The ship drove fast, loud roared the blast,
And southward aye we fled.
And now there came both mist and snow,
And it grew wondrous cold:
And ice, mast-high, came floating by,
As green as emerald.
And through the drifts the snowy clifts
Did send a dismal sheen:
Nor shapes of men nor beasts we ken—
The ice was all between.
The ice was here, the ice was there,
The ice was all around:
It cracked and growled, and roared and howled,
Like noises in a swound!
At length did cross an Albatross,
Thorough the fog it came;
As it had been a Christian soul,
We hailed it in God's name.
It ate the food it ne'er had eat,
And round and round it flew.
The ice did split with a thunder-fit;
The helmsman steered us through!
And a good south wind sprung up behind;
The Albatross did follow,
And every day, for food or play,
Came to the mariner's hollo!
In mist or cloud, on mast or shroud,
It perched for vespers nine;
Whiles all the night, through fog-smoke white,
Glimmered the white moonshine."
'God save thee, ancient Mariner,
From the fiends that plague thee thus!—
Why look'st thou so?'—"With my crossbow
I shot the Albatross."
Part II
"The sun now rose upon the right:
Out of the sea came he,
Still hid in mist, and on the left
Went down into the sea.
And the good south wind still blew behind,
But no sweet bird did follow,
Nor any day for food or play
Came to the mariners' hollo!
And I had done a hellish thing,
And it would work 'em woe:
For all averred, I had killed the bird
That made the breeze to blow.
Ah wretch! said they, the bird to slay,
That made the breeze to blow!
Nor dim nor red, like God's own head,
The glorious sun uprist:
Then all averred, I had killed the bird
That brought the fog and mist.
'Twas right, said they, such birds to slay,
That bring the fog and mist.
The fair breeze blew, the white foam flew,
The furrow followed free;
We were the first that ever burst
Into that silent sea.
Down dropped the breeze, the sails dropped down,
'Twas sad as sad could be;
And we did speak only to break
The silence of the sea!
All in a hot and copper sky,
The bloody sun, at noon,
Right up above the mast did stand,
No bigger than the moon.
Day after day, day after day,
We stuck, nor breath nor motion;
As idle as a painted ship
Upon a painted ocean.
Water, water, every where,
And all the boards did shrink;
Water, water, every where,
Nor any drop to drink.
The very deep did rot: O Christ!
That ever this should be!
Yea, slimy things did crawl with legs
Upon the slimy sea.
About, about, in reel and rout
The death-fires danced at night;
The water, like a witch's oils,
Burnt green, and blue, and white.
And some in dreams assured were
Of the Spirit that plagued us so;
Nine fathom deep he had followed us
From the land of mist and snow.
And every tongue, through utter drought,
Was withered at the root;
We could not speak, no more than if
We had been choked with soot.
Ah! well-a-day! what evil looks
Had I from old and young!
Instead of the cross, the Albatross
About my neck was hung."
Part III
"There passed a weary time. Each throat
Was parched, and glazed each eye.
A weary time! a weary time!
How glazed each weary eye—
When looking westward, I beheld
A something in the sky.
At first it seemed a little speck,
And then it seemed a mist;
It moved and moved, and took at last
A certain shape, I wist.
A speck, a mist, a shape, I wist!
And still it neared and neared:
As if it dodged a water-sprite,
It plunged and tacked and veered.
With throats unslaked, with black lips baked,
We could nor laugh nor wail;
Through utter drought all dumb we stood!
I bit my arm, I sucked the blood,
And cried, A sail! a sail!
With throats unslaked, with black lips baked,
Agape they heard me call:
Gramercy! they for joy did grin,
And all at once their breath drew in,
As they were drinking all.
See! see! (I cried) she tacks no more!
Hither to work us weal;
Without a breeze, without a tide,
She steadies with upright keel!
The western wave was all a-flame,
The day was well nigh done!
Almost upon the western wave
Rested the broad bright sun;
When that strange shape drove suddenly
Betwixt us and the sun.
And straight the sun was flecked with bars,
(Heaven's Mother send us grace!)
As if through a dungeon-grate he peered
With broad and burning face.
Alas! (thought I, and my heart beat loud)
How fast she nears and nears!
Are those her sails that glance in the sun,
Like restless gossameres?
Are those her ribs through which the sun
Did peer, as through a grate?
And is that Woman all her crew?
Is that a Death? and are there two?
Is Death that Woman's mate?
Her lips were red, her looks were free,
Her locks were yellow as gold:
Her skin was as white as leprosy,
The Nightmare Life-in-Death was she,
Who thicks man's blood with cold.
The naked hulk alongside came,
And the twain were casting dice;
'The game is done! I've won! I've won!'
Quoth she, and whistles thrice.
The sun's rim dips; the stars rush out:
At one stride comes the dark;
With far-heard whisper o'er the sea,
Off shot the spectre-bark.
We listened and looked sideways up!
Fear at my heart, as at a cup,
My life-blood seemed to sip!
The stars were dim, and thick the night,
The steersman's face by his lamp gleamed white;
From the sails the dew did drip—
Till clomb above the eastern bar
The horned moon, with one bright star
Within the nether tip.
One after one, by the star-dogged moon,
Too quick for groan or sigh,
Each turned his face with a ghastly pang,
And cursed me with his eye.
Four times fifty living men,
(And I heard nor sigh nor groan)
With heavy thump, a lifeless lump,
They dropped down one by one.
The souls did from their bodies fly,—
They fled to bliss or woe!
And every soul it passed me by,
Like the whizz of my crossbow!"
Part IV
'I fear thee, ancient Mariner!
I fear thy skinny hand!
And thou art long, and lank, and brown,
As is the ribbed sea-sand.
I fear thee and thy glittering eye,
And thy skinny hand, so brown.'—
"Fear not, fear not, thou Wedding-Guest!
This body dropped not down.
Alone, alone, all, all alone,
Alone on a wide wide sea!
And never a saint took pity on
My soul in agony.
The many men, so beautiful!
And they all dead did lie;
And a thousand thousand slimy things
Lived on; and so did I.
I looked upon the rotting sea,
And drew my eyes away;
I looked upon the rotting deck,
And there the dead men lay.
I looked to heaven, and tried to pray;
But or ever a prayer had gusht,
A wicked whisper came and made
My heart as dry as dust.
I closed my lids, and kept them close,
And the balls like pulses beat;
Forthe sky and the sea, and the sea and the sky,
Lay like a load on my weary eye,
And the dead were at my feet.
The cold sweat melted from their limbs,
Nor rot nor reek did they:
The look with which they looked on me
Had never passed away.
An orphan's curse would drag to hell
A spirit from on high;
But oh! more horrible than that
Is the curse in a dead man's eye!
Seven days, seven nights, I saw that curse,
And yet I could not die.
The moving moon went up the sky,
And no where did abide:
Softly she was going up,
And a star or two beside—
Her beams bemocked the sultry main,
Like April hoar-frost spread;
But where the ship's huge shadow lay,
The charmed water burnt alway
A still and awful red.
Beyond the shadow of the ship
I watched the water-snakes:
They moved in tracks of shining white,
And when they reared, the elfish light
Fell off in hoary flakes.
Within the shadow of the ship
I watched their rich attire:
Blue, glossy green, and velvet black,
They coiled and swam; and every track
Was a flash of golden fire.
O happy living things! no tongue
Their beauty might declare:
A spring of love gushed from my heart,
And I blessed them unaware:
Sure my kind saint took pity on me,
And I blessed them unaware.
The selfsame moment I could pray;
And from my neck so free
The Albatross fell off, and sank
Like lead into the sea."
Part V
"Oh sleep! it is a gentle thing,
Beloved from pole to pole!
To Mary Queen the praise be given!
She sent the gentle sleep from heaven,
That slid into my soul.
The silly buckets on the deck,
That had so long remained,
I dreamt that they were filled with dew;
And when I awoke, it rained.
My lips were wet, my throat was cold,
My garments all were dank;
Sure I had drunken in my dreams,
And still my body drank.
I moved, and could not feel my limbs:
I was so light—almost
I thought that I had died in sleep,
And was a blessed ghost.
And soon I heard a roaring wind:
It did not come anear;
But with its sound it shook the sails,
That were so thin and sere.
The upper air burst into life!
And a hundred fire-flags sheen,
To and fro they were hurried about!
And to and fro, and in and out,
The wan stars danced between.
And the coming wind did roar more loud,
And the sails did sigh like sedge;
And the rain poured down from one black cloud;
The moon was at its edge.
The thick black cloud was cleft, and still
The moon was at its side:
Like waters shot from some high crag,
The lightning fell with never a jag,
A river steep and wide.
The loud wind never reached the ship,
Yet now the ship moved on!
Beneath the lightning and the moon
The dead men gave a groan.
They groaned, they stirred, they all uprose,
Nor spake, nor moved their eyes;
It had been strange, even in a dream,
To have seen those dead men rise.
The helmsman steered, the ship moved on;
Yet never a breeze up blew;
The mariners all 'gan work the ropes,
Where they were wont to do;
They raised their limbs like lifeless tools—
We were a ghastly crew.
The body of my brother's son
Stood by me, knee to knee:
The body and I pulled at one rope,
But he said nought to me."
'I fear thee, ancient Mariner!'
"Be calm, thou Wedding-Guest!
'Twas not those souls that fled in pain,
Which to their corses came again,
But a troop of spirits blest:
For when it dawned—they dropped their arms,
And clustered round the mast;
Sweet sounds rose slowly through their mouths,
And from their bodies passed.
Around, around, flew each sweet sound,
Then darted to the sun;
Slowly the sounds came back again,
Now mixed, now one by one.
Sometimes a-dropping from the sky
I heard the skylark sing;
Sometimes all little birds that are,
How they seemed to fill the sea and air
With their sweet jargoning!
And now 'twas like all instruments,
Now like a lonely flute;
And now it is an angel's song,
That makes the heavens be mute.
It ceased; yet still the sails made on
A pleasant noise till noon,
A noise like of a hidden brook
In the leafy month of June,
That to the sleeping woods all night
Singeth a quiet tune.
Till noon we quietly sailed on,
Yet never a breeze did breathe;
Slowly and smoothly went the ship,
Moved onward from beneath.
Under the keel nine fathom deep,
From the land of mist and snow,
The spirit slid: and it was he
That made the ship to go.
The sails at noon left off their tune,
And the ship stood still also.
The sun, right up above the mast,
Had fixed her to the ocean:
But in a minute she 'gan stir,
With a short uneasy motion—
Backwards and forwards half her length
With a short uneasy motion.
Then like a pawing horse let go,
She made a sudden bound:
It flung the blood into my head,
And I fell down in a swound.
How long in that same fit I lay,
I have not to declare;
But ere my living life returned,
I heard and in my soul discerned
Two voices in the air.
'Is it he?' quoth one, 'Is this the man?
By him who died on cross,
With his cruel bow he laid full low
The harmless Albatross.
The spirit who bideth by himself
In the land of mist and snow,
He loved the bird that loved the man
Who shot him with his bow.'
The other was a softer voice,
As soft as honey-dew:
Quoth he, 'The man hath penance done,
And penance more will do.'
Part VI
First Voice
But tell me, tell me! speak again,
Thy soft response renewing—
What makes that ship drive on so fast?
What is the ocean doing?
Second Voice
Still as a slave before his lord,
The ocean hath no blast;
His great bright eye most silently
Up to the moon is cast—
If he may know which way to go;
For she guides him smooth or grim.
See, brother, see! how graciously
She looketh down on him.
First Voice
But why drives on that ship so fast,
Without or wave or wind?
Second Voice
The air is cut away before,
And closes from behind.
Fly, brother, fly! more high, more high!
Or we shall be belated:
For slow and slow that ship will go,
When the Mariner's trance is abated.
"I woke, and we were sailing on
As in a gentle weather:
'Twas night, calm night, the moon was high;
The dead men stood together.
All stood together on the deck,
For a charnel-dungeon fitter:
All fixed on me their stony eyes,
That in the moon did glitter.
The pang, the curse, with which they died,
Had never passed away:
I could not draw my eyes from theirs,
Nor turn them up to pray.
And now this spell was snapped: once more
I viewed the ocean green,
And looked far forth, yet little saw
Of what had else been seen—
Like one that on a lonesome road
Doth walk in fear and dread,
And having once turned round walks on,
And turns no more his head;
Because he knows a frightful fiend
Doth close behind him tread.
But soon there breathed a wind on me,
Nor sound nor motion made:
Its path was not upon the sea,
In ripple or in shade.
It raised my hair, it fanned my cheek
Like a meadow-gale of spring—
It mingled strangely with my fears,
Yet it felt like a welcoming.
Swiftly, swiftly flew the ship,
Yet she sailed softly too:
Sweetly, sweetly blew the breeze—
On me alone it blew.
Oh! dream of joy! is this indeed
The lighthouse top I see?
Is this the hill? is this the kirk?
Is this mine own country?
We drifted o'er the harbour-bar,
And I with sobs did pray—
O let me be awake, my God!
Or let me sleep alway.
The harbour-bay was clear as glass,
So smoothly it was strewn!
And on the bay the moonlight lay,
And the shadow of the moon.
The rock shone bright, the kirk no less,
That stands above the rock:
The moonlight steeped in silentness
The steady weathercock.
And the bay was white with silent light,
Till rising from the same,
Full many shapes, that shadows were,
In crimson colours came.
A little distance from the prow
Those crimson shadows were:
I turned my eyes upon the deck—
Oh, Christ! what saw I there!
Each corse lay flat, lifeless and flat,
And, by the holy rood!
A man all light, a seraph-man,
On every corse there stood.
This seraph-band, each waved his hand:
It was a heavenly sight!
They stood as signals to the land,
Each one a lovely light;
This seraph-band, each waved his hand,
No voice did they impart—
No voice; but oh! the silence sank
Like music on my heart.
But soon I heard the dash of oars,
I heard the Pilot's cheer;
My head was turned perforce away,
And I saw a boat appear.
The Pilot and the Pilot's boy,
I heard them coming fast:
Dear Lord in heaven! it was a joy
The dead men could not blast.
I saw a third—I heard his voice:
It is the Hermit good!
He singeth loud his godly hymns
That he makes in the wood.
He'll shrieve my soul, he'll wash away
The Albatross's blood."
Part VII
"This Hermit good lives in that wood
Which slopes down to the sea.
How loudly his sweet voice he rears!
He loves to talk with marineers
That come from a far country.
He kneels at morn, and noon, and eve—
He hath a cushion plump:
It is the moss that wholly hides
The rotted old oak-stump.
The skiff-boat neared: I heard them talk,
'Why, this is strange, I trow!
Where are those lights so many and fair,
That signal made but now?'
'Strange, by my faith!' the Hermit said—
'And they answered not our cheer!
The planks looked warped! and see those sails,
How thin they are and sere!
I never saw aught like to them,
Unless perchance it were
Brown skeletons of leaves that lag
My forest-brook along;
When the ivy-tod is heavy with snow,
And the owlet whoops to the wolf below,
That eats the she-wolf's young.'
'Dear Lord! it hath a fiendish look—
(The Pilot made reply)
I am afeared'—'Push on, push on!'
Said the Hermit cheerily.
The boat came closer to the ship,
But I nor spake nor stirred;
The boat came close beneath the ship,
And straight a sound was heard.
Under the water it rumbled on,
Still louder and more dread:
It reached the ship, it split the bay;
The ship went down like lead.
Stunned by that loud and dreadful sound,
Which sky and ocean smote,
Like one that hath been seven days drowned
My body lay afloat;
But swift as dreams, myself I found
Within the Pilot's boat.
Upon the whirl where sank the ship
The boat spun round and round;
And all was still, save that the hill
Was telling of the sound.
I moved my lips—the Pilot shrieked
And fell down in a fit;
The holy Hermit raised his eyes,
And prayed where he did sit.
I took the oars: the Pilot's boy,
Who now doth crazy go,
Laughed loud and long, and all the while
His eyes went to and fro.
'Ha! ha!' quoth he, 'full plain I see,
The Devil knows how to row.'
And now, all in my own country,
I stood on the firm land!
The Hermit stepped forth from the boat,
And scarcely he could stand.
O shrieve me, shrieve me, holy man!
The Hermit crossed his brow.
'Say quick,' quoth he 'I bid thee say—
What manner of man art thou?'
Forthwith this frame of mine was wrenched
With a woeful agony,
Which forced me to begin my tale;
And then it left me free.
Since then, at an uncertain hour,
That agony returns;
And till my ghastly tale is told,
This heart within me burns.
I pass, like night, from land to land;
I have strange power of speech;
That moment that his face I see,
I know the man that must hear me:
To him my tale I teach.
What loud uproar bursts from that door!
The wedding-guests are there:
But in the garden-bower the bride
And bride-maids singing are;
And hark the little vesper bell,
Which biddeth me to prayer!
O Wedding-Guest! this soul hath been
Alone on a wide wide sea:
So lonely 'twas, that God himself
Scarce seemed there to be.
O sweeter than the marriage-feast,
'Tis sweeter far to me,
To walk together to the kirk
With a goodly company!—
To walk together to the kirk,
And all together pray,
While each to his great Father bends,
Old men, and babes, and loving friends,
And youths and maidens gay!
Farewell, farewell! but this I tell
To thee, thou Wedding-Guest!
He prayeth well, who loveth well
Both man and bird and beast.
He prayeth best, who loveth best
All things both great and small;
For the dear God who loveth us,
He made and loveth all."
The Mariner, whose eye is bright,
Whose beard with age is hoar,
Is gone; and now the Wedding-Guest
Turned from the bridegroom's door.
He went like one that hath been stunned,
And is of sense forlorn:
A sadder and a wiser man
He rose the morrow morn.
Love
And in Life's noisiest hour,
There whispers still the ceaseless Love of Thee,
The heart's Self-solace and soliloquy.
You mould my Hopes, you fashion me within;
And to the leading Love-throb in the Heart
Thro' all my Being, thro' my pulse's beat;
You lie in all my many Thoughts, like Light,
Like the fair light of Dawn, or summer Eve
On rippling Stream, or cloud-reflecting Lake.
And looking to the Heaven, that bends above you,
How oft! I bless the Lot that made me love you.
The Presence of Love
The cold and Frosty Moon
The Frost performs its secret ministry,
Unhelped by any wind. The owlet's cry
Came loud, -and hark, again! loud as before.
The inmates of my cottage, all at rest,
Have left me to that solitude, which suits
Abstruser musings: save that at my side
My cradled infant slumbers peacefully.
'Tis calm indeed! so calm, that it disturbs
And vexes meditation with its strange
And extreme silentness. Sea, hill, and wood,
With all the numberless goings-on of life,
Inaudible as dreams! the thin blue flame
Lies on my low-burnt fire, and quivers not;
Only that film, which fluttered on the grate,
Still flutters there, the sole unquiet thing.
Methinks its motion in this hush of nature
Gives it dim sympathies with me who live,
Making it a companionable form,
Whose puny flaps and freaks the idling Spirit
By its own moods interprets, every where
Echo or mirror seeking of itself,
And makes a toy of Thought.
But O! how oft,
How oft, at school, with most believing mind,
Presageful, have I gazed upon the bars,
To watch that fluttering stranger! and as oft
With unclosed lids, already had I dreamt
Of my sweet birthplace, and the old church-tower,
Whose bells, the poor man's only music, rang
From morn to evening, all the hot Fair-day,
So sweetly, that they stirred and haunted me
With a wild pleasure, falling on mine ear
Most like articulate sounds of things to come!
So gazed I, till the soothing things, I dreamt,
Lulled me to sleep, and sleep prolonged my dreams!
And so I brooded all the following morn,
Awed by the stern preceptor's face, mine eye
Fixed with mock study on my swimming book:
Save if the door half opened, and I snatched
A hasty glance, and still my heart leaped up,
For still I hoped to see the stranger's face,
Townsman, or aunt, or sister more beloved,
My playmate when we both were clothed alike!
Dear Babe, that sleepest cradled by my side,
Whose gentle breathings, heard in this deep calm,
Fill up the interspersed vacancies
And momentary pauses of the thought!
My babe so beautiful! it thrills my heart
With tender gladness, thus to look at thee,
And think that thou shalt learn far other lore,
And in far other scenes! For I was reared
In the great city, pent mid cloisters dim,
And saw nought lovely but the sky and stars.
But thou, my babe! shalt wander like a breeze
By lakes and sandy shores, beneath the crags
Of ancient mountain, and beneath the clouds,
Which image in their bulk both lakes and shores
And mountain crags: so shalt thou see and hear
The lovely shapes and sounds intelligible
Of that eternal language, which thy God
Utters, who from eternity doth teach
Himself in all, and all things in himself.
Great universal Teacher! he shall mould
Thy spirit, and by giving make it ask.
Therefore all seasons shall be sweet to thee,
Whether the summer clothe the general earth
With greenness, or the redbreast sit and sing
Betwixt the tufts of snow on the bare branch
Of mossy apple-tree, while the nigh thatch
Smokes in the sun-thaw; whether the eave-drops fall
Heard only in the trances of the blast,
Or if the secret ministry of frost
Shall hang them up in silent icicles,
Quietly shining to the quiet Moon.
The Khan
In Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round:
And there were gardens bright with sinuous rills,
Where blossomed many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.
But oh! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e'er beneath a waning moon was haunted
By woman wailing for her demon-lover!
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced:
Amid whose swift half-intermitted burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher's flail:
And 'mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion
Through wood and dale the sacred river ran,
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean:
And 'mid this tumult Kubla heard from far
Ancestral voices prophesying war!
The shadow of the dome of pleasure
Floated midway on the waves;
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice!
A damsel with a dulcimer
In a vision once I saw:
It was an Abyssinian maid,
And on her dulcimer she played,
Singing of Mount Abora.
Could I revive within me
Her symphony and song,
To such a deep delight 'twould win me
That with music loud and long
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed
And drunk the milk of Paradise.
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round:
And there were gardens bright with sinuous rills,
Where blossomed many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.
But oh! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e'er beneath a waning moon was haunted
By woman wailing for her demon-lover!
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced:
Amid whose swift half-intermitted burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher's flail:
And 'mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion
Through wood and dale the sacred river ran,
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean:
And 'mid this tumult Kubla heard from far
Ancestral voices prophesying war!
The shadow of the dome of pleasure
Floated midway on the waves;
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice!
A damsel with a dulcimer
In a vision once I saw:
It was an Abyssinian maid,
And on her dulcimer she played,
Singing of Mount Abora.
Could I revive within me
Her symphony and song,
To such a deep delight 'twould win me
That with music loud and long
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed
And drunk the milk of Paradise.
Tuesday 18 May 2010
A host of golden daffodils
William Wordsworth (7 April 1770 – 23 April 1850) was a major English Romantic poet who, with Samuel Taylor Coleridge, helped launch the Romantic Age in English literature with their 1798 joint publication,Lyrical Ballads.
Wordsworth's magnum opus is generally considered to be The Prelude, a semi-autobiographical poem of his early years which the poet revised and expanded a number of times. The work was posthumously titled and published, prior to which it was generally known as the poem "to Coleridge". Wordsworth was England's Poet Laureate from 1843 until his death in 1850.
The second of five children born to John Wordsworth and Ann Cookson, William Wordsworth was born on 7 April 1770 in Cockermouth in Cumberland — part of the scenic region in north-west England, the Lake District. His sister, the poet and diarist Dorothy Wordsworth, to whom he was close all his life, was born the following year, and the two were baptised together. They had three other siblings: Richard, the eldest who became a lawyer; John, born after Dorothy, who would become a poet and enjoy nature with William and Dorothy until he died in a 1805 shipwreck; and Christopher, the youngest, who would become a scholar. Their father was a legal representative for James Lowther,1st Earl of Lonsdale and through his connections they were able to live in a large mansion in the small town. Wordsworth, as with his siblings, had little involvement with their father, and they would be distant with him until his death in 1783.
Wordsworth's father, although rarely present, did teach him poetry, including that of Milton, Shakespeare, and Spenser, in addition to allowing his son to rely on his father's library. In addition to spending his time reading in Cockermouth, he would stay at his mother's parents home in Penrith,Cumberland. At Penrith, Wordsworth was exposed to the moors and was influenced by his experience with the landscape and was further turned towards nature by the harsh treatment he received at the hands of his relatives. In particular, Wordsworth could not get along with his grand parents and his uncle, and his hostile interactions with them distressed him to the point of contemplating suicide.
After the death of their mother in 1778, their father sent William to Hawkshead Grammar School and sent Dorothy to live with relatives in Yorkshire. She and William did not meet again for another nine years. Although Hawkshead was Wordsworth's first serious experience with education, he was taught to read by his mother and attended a tiny school in Cockermouth of low quality. After the Cockermouth school, he was sent to a school in Penrith for the children of upper class families and taught by Ann Birkett, a woman who insisted in instilling tradition in her students that included pursuing both scholarly and local activities, especially the festivals around Easter,May Day, or Shrove Tuesday. Wordsworth was taught both the Bible and the Spectator, but little else. It was at the school that Wordsworth was to meet the Hutchinsons, including Mary, who would be his future wife.
Wordsworth made his debut as a writer in 1787 when he published a sonnet in The European Magazine. That same year he began attending St.John's College,Cambridge, and received his B.A degree in 1791. He returned to Hawkshead for his first two summer holidays, and often spent later holidays on walking tours, visiting places famous for the beauty of their landscape. In 1790, he took a walking tour of Europe, during which he toured the Alps extensively, and also visited nearby areas of France, Switzerland, and Italy. His youngest brother,Christopher, rose to be Master of Trinity.
In November 1791, Wordsworth visited Revolutionary France and became enthralled with the Republican movement. He fell in love with a French woman, Annette Vallon, who in 1792 gave birth to their child, Caroline. Because of lack of money and Britain's tensions with France, he returned alone to England the next year. The circumstances of his return and his subsequent behaviour raise doubts as to his declared wish to marry Annette but he supported her and his daughter the best he could in later life. During this period, he wrote his acclaimed "It is a beauteous evening, calm and free," recalling his seaside walk with his wife, whom he had not seen for ten years. At the conception of this poem, he had never seen his daughter before. The occurring lines reveal his deep love for both child and mother. The Reign of Terror estranged him from the Republican movement, and war between France and Britain prevented him from seeing Annette and Caroline again for several years. There are also strong suggestions that Wordsworth may have been depressed and emotionally unsettled in the mid 1790s.
With the Peace of Amiens again allowing travel to France, in 1802 Wordsworth and his sister, Dorothy visited Annette and Caroline in France and arrived at a mutually agreeable settlement regarding Wordsworth's obligations.
In his "Preface to Lyrical Ballads" which is called the 'manifesto' of English Romantic criticism, Wordsworth calls his poems ' experimental'. 1793 saw Wordsworth's first published poetry with the collections An Evening Walk and Descriptive Sketches. He received a legacy of £900 from Raisley Calvert in 1795 so that he could pursue writing poetry. That year, he also met Samuel Taylor Coleridge in Somerset. The two poets quickly developed a close friendship. In 1797, Wordsworth and his sister,Dorothy, moved to Alfoxton House, Somerset, just a few miles away from Coleridge's home in Nether Stowey. Together, Wordsworth and Coleridge (with insights from Dorothy) produced Lyrical Ballads (1798), an important work in the English Romantic movement. The volume had neither the name of Wordsworth nor Coleridge as the author. One of Wordsworth's most famous poems, "Tintern Abbey", was published in the work, along with Coleridge's "The Rime of the Ancient Mariner". The second edition, published in 1800, had only Wordsworth listed as the author, and included a preface to the poems, which was significantly augmented in the 1802 edition. This Preface to Lyrical Ballads is considered a central work of Romantic literary theory. In it, Wordsworth discusses what he sees as the elements of a new type of poetry, one based on the "real language of men" and which avoids the poetic diction of much eighteenth-century poetry. Here, Wordsworth also gives his famous definition of poetry as the "the spontaneous overflow of powerful feelings from emotions recollected in tranquility." A fourth and final edition of Lyrical Ballads was published in 1805.
Wordsworth, Dorothy, and Coleridge then travelled to Germany in the autumn of 1798. While Coleridge was intellectually stimulated by the trip, its main effect on Wordsworth was to produce homesickness. During the harsh winter of 1798–1799, Wordsworth lived with Dorothy in Goslar, and despite extreme stress and loneliness, he began work on an autobiographical piece later titled The Prelude. He also wrote a number of famous poems, including "The Lucy poems". He and his sister moved back to England, now to Dove Cottage in Grasmere in the Lake District, and this time with fellow poet Robert Southey nearby. Wordsworth, Coleridge, and Southey came to be known as the "Lake Poets". Through this period, many of his poems revolve around themes of death, endurance, separation, and grief.
In 1802, after returning from his trip to France with Dorothy to visit Annette and Caroline, Lowther's heir,William Lowther,1st Earl of Lonsdale, repaid the ₤4,000 debt owed to Wordsworth's father incurred through Lowther's failure to pay his aide. Later that year, Wordsworth married a childhood friend, Mary Hutchinson. Dorothy continued to live with the couple and grew close to Mary. The following year, Mary gave birth to the first of five children:
- John Wordsworth (June 18 1803 - 1875). Married four times:
- Dora Wordsworth (August 16 1804 - July 9th 1847). Married Edward Quillinan.
- Thomas Wordsworth (June 15 1806 - December 1st 1812).
- Catherine Wordsworth (September 6 1808 - June 4th 1812).
- William "Willy" Wordsworth (May 12 1810 - 1883). Married Fanny Graham and had four children: Mary Louisa, William, Reginald and Gordon.
1.) Isabella Curwen (d. 1848) had six children: Jane, Henry, William, John, Charles and Edward.
2.) Helen Ross (d. 1854). No issue.
3.) Mary Ann Dolan (d. after 1856) had 1 daughter Dora (b.1858).
4.) Mary Gamble. No issue.
Wordsworth had for years been making plans to write a long philosophical poem in three parts, which he intended to call The Recluse. He had in 1798–99 started an autobiographical poem, which he never named but called the "poem to Coleridge", which would serve as an appendix to The Recluse. In 1804 he began expanding this autobiographical work, having decided to make it a prologue rather than an appendix to the larger work he planned. By 1805, he had completed it, but refused to publish such a personal work until he had completed the whole of The Recluse. The death of his brother, John, in 1805 affected him strongly.
The source of Wordsworth's philosophical allegiances as articulated in The Prelude and in such shorter works as "Lines composed a few miles above Tintern Abbey" has been the source of much critical debate. While it had long been supposed that Wordsworth relied chiefly on Coleridge for philosophical guidance, more recent scholarship has suggested that Wordsworth's ideas may have been formed years before he and Coleridge became friends in the mid 1790s. While in Revolutionary Paris in 1792, the twenty-two year old Wordsworth made the acquaintance of the mysterious traveller John "Walking" Stewart (1747-1822), who was nearing the end of a thirty-years' peregrination from Madras, India, through Persia and Arabia, across Africa and all of Europe, and up through the fledgling United States. By the time of their association, Stewart had published an ambitious work of original materialist philosophy entitled The Apocalypse of Nature (London, 1791), to which many of Wordsworth's philosophical sentiments are likely indebted.
In 1807, his Poems in Two Volumes were published, including "Ode:Intimations of Immortality from Recollections of Early Childhood". Up to this point Wordsworth was known publicly only for Lyrical Ballads, and he hoped this collection would cement his reputation. Its reception was lukewarm, however. For a time (starting in 1810), Wordsworth and Coleridge were estranged over the latter's opium addiction. Two of his children, Thomas and Catherine, died in 1812. The following year, he received an appointment as Distributor of Stamps for Westmorland, and the £400 per year income from the post made him financially secure. His family, including Dorothy, moved to Rydal Mount, Ambleside (between Grasmere and Rydal Water) in 1813, where he spent the rest of his life.
In 1814 he published The Excursion as the second part of the three-part The Recluse. He had not completed the first and third parts, and never would complete them. However, he did write a poetic Prospectus to "The Recluse" in which he lays out the structure and intent of the poem. The Prospectus contains some of Wordsworth's most famous lines on the relation between the human mind and nature:
My voice proclaims
How exquisitely the individual Mind
(And the progressive powers perhaps no less
Of the whole species) to the external World
Is fitted:--and how exquisitely, too,
Theme this but little heard of among Men,
The external World is fitted to the Mind . . .
Some modern critics recognise a decline in his works beginning around the mid-1810s. But this decline was perhaps more a change in his lifestyle and beliefs, since most of the issues that characterise his early poetry (loss, death, endurance, separation, abandonment) were resolved in his writings. But, by 1820 he enjoyed the success accompanying a reversal in the contemporary critical opinion of his earlier works. Following the death of his friend the painter William Green in 1823, Wordsworth mended relations with Coleridge. The two were fully reconciled by 1828, when they toured the Rhineland together. Dorothy suffered from a severe illness in 1829 that rendered her an invalid for the remainder of her life. In 1835, Wordsworth gave Annette and Caroline the money they needed for support.
Wordsworth received an honorary Doctor of Civil Law degree in 1838 from Durham University, and the same honour from Oxford University the next year. In 1842 the government awarded him a civil list pension amounting to £300 a year. With the death in 1843 of Robert Southey, Wordsworth became the Poet Laureate. When his daughter, Dora, died in 1847, his production of poetry came to a standstill.
William Wordsworth died of pneumonia on the 23rd April 1850 and was buried at St. Oswald's church in Grasmere. His widow Mary published his lengthy autobiographical "poem to Coleridge" as The Prelude several months after his death. Though this failed to arouse great interest in 1850, it has since come to be recognised as his masterpiece.
THE IDIOT BOY
The last stanza--"The Cocks did crow to-whoo, to-whoo, And the sun did shine so cold"--was the foundation of the whole. The words were reported to me by my dear friend, Thomas Poole; but I have since heard the same repeated of other Idiots. Let me add that this long poem was composed in the groves of Alfoxden, almost extempore; not a word, I believe, being corrected, though one stanza was omitted. I mention this in gratitude to those happy moments, for, in truth, I never wrote anything with so much glee.
'TIS eight o'clock,--a clear March night,
The moon is up,--the sky is blue,
The owlet, in the moonlight air,
Shouts from nobody knows where;
He lengthens out his lonely shout,
Halloo! halloo! a long halloo!
--Why bustle thus about your door,
What means this bustle, Betty Foy?
Why are you in this mighty fret?
And why on horseback have you set
Him whom you love, your Idiot Boy?
Scarcely a soul is out of bed;
Good Betty, put him down again;
His lips with joy they burr at you;
But, Betty! what has he to do
With stirrup, saddle, or with rein?
But Betty's bent on her intent;
For her good neighbour, Susan Gale,
Old Susan, she who dwells alone,
Is sick, and makes a piteous moan
As if her very life would fail.
There's not a house within a mile,
No hand to help them in distress;
Old Susan lies a-bed in pain,
And sorely puzzled are the twain,
For what she ails they cannot guess.
And Betty's husband's at the wood,
Where by the week he doth abide,
A woodman in the distant vale;
There's none to help poor Susan Gale;
What must be done? what will betide?
And Betty from the lane has fetched
Her Pony, that is mild and good;
Whether he be in joy or pain,
Feeding at will along the lane,
Or bringing faggots from the wood.
And he is all in travelling trim,--
And, by the moonlight, Betty Foy
Has on the well-girt saddle set
(The like was never heard of yet)
Him whom she loves, her Idiot Boy.
And he must post without delay
Across the bridge and through the dale,
And by the church, and o'er the down,
To bring a Doctor from the town,
Or she will die, old Susan Gale.
There is no need of boot or spur,
There is no need of whip or wand;
For Johnny has his holly-bough,
And with a 'hurly-burly' now
He shakes the green bough in his hand.
And Betty o'er and o'er has told
The Boy, who is her best delight,
Both what to follow, what to shun,
What do, and what to leave undone,
How turn to left, and how to right.
And Betty's most especial charge,
Was, "Johnny! Johnny! mind that you
Come home again, nor stop at all,--
Come home again, whate'er befall,
My Johnny, do, I pray you do."
To this did Johnny answer make,
Both with his head and with his hand,
And proudly shook the bridle too;
And then! his words were not a few,
Which Betty well could understand.
And now that Johnny is just going,
Though Betty's in a mighty flurry,
She gently pats the Pony's side,
On which her Idiot Boy must ride,
And seems no longer in a hurry.
But when the Pony moved his legs,
Oh! then for the poor Idiot Boy!
For joy he cannot hold the bridle,
For joy his head and heels are idle,
He's idle all for very joy.
And while the Pony moves his legs,
In Johnny's left hand you may see
The green bough motionless and dead:
The Moon that shines above his head
Is not more still and mute than he.
His heart it was so full of glee,
That till full fifty yards were gone,
He quite forgot his holly whip,
And all his skill in horsemanship:
Oh! happy, happy, happy John.
And while the Mother, at the door,
Stands fixed, her face with joy o'erflows,
Proud of herself, and proud of him,
She sees him in his travelling trim,
How quietly her Johnny goes.
The silence of her Idiot Boy,
What hopes it sends to Betty's heart!
He's at the guide-post--he turns right;
She watches till he's out of sight,
And Betty will not then depart.
Burr, burr--now Johnny's lips they burr,
As loud as any mill, or near it;
Meek as a lamb the Pony moves,
And Johnny makes the noise he loves, 0
And Betty listens, glad to hear it.
Away she hies to Susan Gale:
Her Messenger's in merry tune;
The owlets hoot, the owlets curr,
And Johnny's lips they burr, burr, burr,
As on he goes beneath the moon.
His steed and he right well agree;
For of this Pony there's a rumour,
That, should he lose his eyes and ears,
And should he live a thousand years,
He never will be out of humour.
But then he is a horse that thinks!
And when he thinks, his pace is slack;
Now, though he knows poor Johnny well,
Yet, for his life, he cannot tell
What he has got upon his back.
So through the moonlight lanes they go,
And far into the moonlight dale,
And by the church, and o'er the down,
To bring a Doctor from the town,
To comfort poor old Susan Gale.
And Betty, now at Susan's side,
Is in the middle of her story,
What speedy help her Boy will bring,
With many a most diverting thing,
Of Johnny's wit, and Johnny's glory.
And Betty, still at Susan's side,
By this time is not quite so flurried:
Demure with porringer and plate
She sits, as if in Susan's fate
Her life and soul were buried.
But Betty, poor good woman! she,
You plainly in her face may read it,
Could lend out of that moment's store
Five years of happiness or more
To any that might need it.
But yet I guess that now and then
With Betty all was not so well;
And to the road she turns her ears,
And thence full many a sound she hears,
Which she to Susan will not tell.
Poor Susan moans, poor Susan groans;
"As sure as there's a moon in heaven,"
Cries Betty, "he'll be back again;
They'll both be here--'tis almost ten--
Both will be here before eleven."
Poor Susan moans, poor Susan groans;
The clock gives warning for eleven;
'Tis on the stroke--"He must be near,"
Quoth Betty, "and will soon be here,
As sure as there's a moon in heaven."
The clock is on the stroke of twelve,
And Johnny is not yet in sight:
--The Moon's in heaven, as Betty sees,
But Betty is not quite at ease;
And Susan has a dreadful night.
And Betty, half an hour ago,
On Johnny vile reflections cast:
"A little idle sauntering Thing!"
With other names, an endless string;
But now that time is gone and past.
And Betty's drooping at the heart,
That happy time all past and gone,
"How can it be he is so late?
The Doctor, he has made him wait;
Susan! they'll both be here anon."
And Susan's growing worse and worse,
And Betty's in a sad 'quandary';
And then there's nobody to say
If she must go, or she must stay!
--She's in a sad 'quandary'.
The clock is on the stroke of one;
But neither Doctor nor his Guide
Appears along the moonlight road;
There's neither horse nor man abroad,
And Betty's still at Susan's side.
And Susan now begins to fear
Of sad mischances not a few,
That Johnny may perhaps be drowned;
Or lost, perhaps, and never found;
Which they must both for ever rue.
She prefaced half a hint of this
With, "God forbid it should be true!"
At the first word that Susan said
Cried Betty, rising from the bed,
"Susan, I'd gladly stay with you.
"I must be gone, I must away:
Consider, Johnny's but half-wise;
Susan, we must take care of him,
If he is hurt in life or limb"--
"Oh God forbid!" poor Susan cries.
"What can I do?" says Betty, going,
"What can I do to ease your pain?
Good Susan tell me, and I'll stay;
I fear you're in a dreadful way,
But I shall soon be back again."
"Nay, Betty, go! good Betty, go!
There's nothing that can ease my pain,"
Then off she hies, but with a prayer
That God poor Susan's life would spare, 0
Till she comes back again.
So, through the moonlight lane she goes,
And far into the moonlight dale;
And how she ran, and how she walked,
And all that to herself she talked,
Would surely be a tedious tale.
In high and low, above, below,
In great and small, in round and square,
In tree and tower was Johnny seen,
In bush and brake, in black and green;
'Twas Johnny, Johnny, every where.
And while she crossed the bridge, there came
A thought with which her heart is sore--
Johnny perhaps his horse forsook,
To hunt the moon within the brook,
And never will be heard of more.
Now is she high upon the down,
Alone amid a prospect wide;
There's neither Johnny nor his Horse
Among the fern or in the gorse;
There's neither Doctor nor his Guide.
"O saints! what is become of him?
Perhaps he's climbed into an oak,
Where he will stay till he is dead;
Or, sadly he has been misled,
And joined the wandering gipsy-folk.
"Or him that wicked Pony's carried
To the dark cave, the goblin's hall;
Or in the castle he's pursuing
Among the ghosts his own undoing;
Or playing with the waterfall."
At poor old Susan then she railed,
While to the town she posts away;
"If Susan had not been so ill,
Alas! I should have had him still,
My Johnny, till my dying day."
Poor Betty, in this sad distemper,
The Doctor's self could hardly spare:
Unworthy things she talked, and wild;
Even he, of cattle the most mild,
The Pony had his share.
But now she's fairly in the town,
And to the Doctor's door she hies;
'Tis silence all on every side;
The town so long, the town so wide,
Is silent as the skies.
And now she's at the Doctor's door,
She lifts the knocker, rap, rap, rap;
The Doctor at the casement shows
His glimmering eyes that peep and doze!
And one hand rubs his old night-cap.
"O Doctor! Doctor! where's my Johnny?"
"I'm here, what is't you want with me?"
"O Sir! you know I'm Betty Foy,
And I have lost my poor dear Boy,
You know him--him you often see;
"He's not so wise as some folks be:"
"The devil take his wisdom!" said
The Doctor, looking somewhat grim,
"What, Woman! should I know of him?"
And, grumbling, he went back to bed!
"O woe is me! O woe is me!
Here will I die, here will I die;
I thought to find my lost one here,
But he is neither far nor near,
Oh! what a wretched Mother I!"
She stops, she stands, she looks about;
Which way to turn she cannot tell.
Poor Betty! it would ease her pain
If she had heart to knock again;
--The clock strikes three--a dismal knell!
Then up along the town she hies,
No wonder if her senses fail;
This piteous news so much it shocked her,
She quite forgot to send the Doctor,
To comfort poor old Susan Gale.
And now she's high upon the down,
And she can see a mile of road:
"O cruel! I'm almost threescore;
Such night as this was ne'er before,
There's not a single soul abroad."
She listens, but she cannot hear
The foot of horse, the voice of man;
The streams with softest sound are flowing,
The grass you almost hear it growing,
You hear it now, if e'er you can.
The owlets through the long blue night
Are shouting to each other still:
Fond lovers! yet not quite hob nob,
They lengthen out the tremulous sob,
That echoes far from hill to hill.
Poor Betty now has lost all hope,
Her thoughts are bent on deadly sin,
A green-grown pond she just has past,
And from the brink she hurries fast,
Lest she should drown herself therein.
And now she sits her down and weeps;
Such tears she never shed before;
"Oh dear, dear Pony! my sweet joy!
Oh carry back my Idiot Boy! 0
And we will ne'er o'erload thee more."
A thought is come into her head:
The Pony he is mild and good,
And we have always used him well;
Perhaps he's gone along the dell,
And carried Johnny to the wood.
Then up she springs as if on wings;
She thinks no more of deadly sin;
If Betty fifty ponds should see,
The last of all her thoughts would be
To drown herself therein.
O Reader! now that I might tell
What Johnny and his Horse are doing
What they've been doing all this time,
Oh could I put it into rhyme,
A most delightful tale pursuing!
Perhaps, and no unlikely thought!
He with his Pony now doth roam
The cliffs and peaks so high that are,
To lay his hands upon a star,
And in his pocket bring it home.
Perhaps he's turned himself about,
His face unto his horse's tail,
And, still and mute, in wonder lost,
All silent as a horseman-ghost,
He travels slowly down the vale.
And now, perhaps, is hunting sheep,
A fierce and dreadful hunter he;
Yon valley, now so trim and green,
In five months' time, should he be seen,
A desert wilderness will be!
Perhaps, with head and heels on fire,
And like the very soul of evil,
He's galloping away, away,
And so will gallop on for aye,
The bane of all that dread the devil!
I to the Muses have been bound
These fourteen years, by strong indentures:
O gentle Muses! let me tell
But half of what to him befell;
He surely met with strange adventures.
O gentle Muses! is this kind?
Why will ye thus my suit repel?
Why of your further aid bereave me?
And can ye thus unfriended leave me
Ye Muses! whom I love so well?
Who's yon, that, near the waterfall,
Which thunders down with headlong force,
Beneath the moon, yet shining fair,
As careless as if nothing were,
Sits upright on a feeding horse?
Unto his horse--there feeding free,
He seems, I think, the rein to give;
Of moon or stars he takes no heed;
Of such we in romances read:
--'Tis Johnny! Johnny! as I live.
And that's the very Pony, too!
Where is she, where is Betty Foy?
She hardly can sustain her fears;
The roaring waterfall she hears,
And cannot find her Idiot Boy.
Your Pony's worth his weight in gold:
Then calm your terrors, Betty Foy!
She's coming from among the trees,
And now all full in view she sees
Him whom she loves, her Idiot Boy.
And Betty sees the Pony too:
Why stand you thus, good Betty Foy?
It is no goblin, 'tis no ghost,
'Tis he whom you so long have lost,
He whom you love, your Idiot Boy.
She looks again--her arms are up--
She screams--she cannot move for joy;
She darts, as with a torrent's force,
She almost has o'erturned the Horse,
And fast she holds her Idiot Boy.
And Johnny burrs, and laughs aloud;
Whether in cunning or in joy
I cannot tell; but while he laughs,
Betty a drunken pleasure quaffs
To hear again her Idiot Boy.
And now she's at the Pony's tail,
And now is at the Pony's head,--
On that side now, and now on this;
And, almost stifled with her bliss,
A few sad tears does Betty shed.
She kisses o'er and o'er again
Him whom she loves, her Idiot Boy;
She's happy here, is happy there,
She is uneasy every where;
Her limbs are all alive with joy.
She pats the Pony, where or when
She knows not, happy Betty Foy!
The little Pony glad may be,
But he is milder far than she,
You hardly can perceive his joy.
"Oh! Johnny, never mind the Doctor;
You've done your best, and that is all:"
She took the reins, when this was said,
And gently turned the Pony's head 0
From the loud waterfall.
By this the stars were almost gone,
The moon was setting on the hill,
So pale you scarcely looked at her:
The little birds began to stir,
Though yet their tongues were still.
The Pony, Betty, and her Boy,
Wind slowly through the woody dale;
And who is she, betimes abroad,
That hobbles up the steep rough road?
Who is it, but old Susan Gale?
Long time lay Susan lost in thought;
And many dreadful fears beset her,
Both for her Messenger and Nurse;
And, as her mind grew worse and worse,
Her body--it grew better.
She turned, she tossed herself in bed,
On all sides doubts and terrors met her;
Point after point did she discuss;
And, while her mind was fighting thus,
Her body still grew better.
"Alas! what is become of them?
These fears can never be endured;
I'll to the wood."--The word scarce said,
Did Susan rise up from her bed,
As if by magic cured.
Away she goes up hill and down,
And to the wood at length is come;
She spies her Friends, she shouts a greeting;
Oh me! it is a merry meeting
As ever was in Christendom.
The owls have hardly sung their last,
While our four travellers homeward wend;
The owls have hooted all night long,
And with the owls began my song,
And with the owls must end.
For while they all were travelling home,
Cried Betty, "Tell us, Johnny, do,
Where all this long night you have been,
What you have heard, what you have seen:
And, Johnny, mind you tell us true."
Now Johnny all night long had heard
The owls in tuneful concert strive;
No doubt too he the moon had seen;
For in the moonlight he had been
From eight o'clock till five.
And thus, to Betty's question, he
Made answer, like a traveller bold,
(His very words I give to you,)
"The cocks did crow to-whoo, to-whoo,
And the sun did shine so cold!"
--Thus answered Johnny in his glory,
And that was all his travel's story,
1798.
THE OLD CUMBERLAND BEGGAR
Observed, and with great benefit to my own heart, when I was a child: written at Racedown and Alfoxden in my twenty-third year. The political economists were about that time beginning their war upon mendicity in all its forms, and by implication, if not directly, on alms-giving also. This heartless process has been carried as far as it can go by the AMENDED poor-law bill, though the inhumanity that prevails in this measure is somewhat disguised by the profession that one of its objects is to throw the poor upon the voluntary donations of their neighbours; that is, if rightly interpreted, to force them into a condition between relief in the Union poorhouse, and alms robbed of their Christian grace and spirit, as being "forced" rather from the benevolent than given by them; while the avaricious and selfish, and all in fact but the humane and charitable, are at liberty to keep all they possess from their distressed brethren.
The class of Beggars, to which the Old Man here described belongs, will probably soon be extinct. It consisted of poor, and, mostly, old and infirm persons, who confined themselves to a stated round in their neighbourhood, and had certain fixed days, on which, at different houses, they regularly received alms, sometimes in money, but mostly in provisions.
I SAW an aged Beggar in my walk;
And he was seated, by the highway side,
On a low structure of rude masonry
Built at the foot of a huge hill, that they
Who lead their horses down the steep rough road
May thence remount at ease. The aged Man
Had placed his staff across the broad smooth stone
That overlays the pile; and, from a bag
All white with flour, the dole of village dames,
He drew his scraps and fragments, one by one;
And scanned them with a fixed and serious look
Of idle computation. In the sun,
Upon the second step of that small pile,
Surrounded by those wild unpeopled hills,
He sat, and ate his food in solitude:
And ever, scattered from his palsied hand,
That, still attempting to prevent the waste,
Was baffled still, the crumbs in little showers
Fell on the ground; and the small mountain birds,
Not venturing yet to peck their destined meal,
Approached within the length of half his staff.
Him from my childhood have I known; and then
He was so old, he seems not older now;
He travels on, a solitary Man,
So helpless in appearance, that for him
The sauntering Horseman throws not with a slack
And careless hand his alms upon the ground,
But stops,--that he may safely lodge the coin
Within the old Man's hat; nor quits him so,
But still, when he has given his horse the rein,
Watches the aged Beggar with a look
Sidelong, and half-reverted. She who tends
The toll-gate, when in summer at her door
She turns her wheel, if on the road she sees
The aged beggar coming, quits her work,
And lifts the latch for him that he may pass.
The post-boy, when his rattling wheels o'ertake
The aged Beggar in the woody lane,
Shouts to him from behind; and if, thus warned,
The old man does not change his course, the boy
Turns with less noisy wheels to the roadside,
And passes gently by, without a curse
Upon his lips, or anger at his heart.
He travels on, a solitary Man;
His age has no companion. On the ground
His eyes are turned, and, as he moves along
'They' move along the ground; and, evermore,
Instead of common and habitual sight
Of fields with rural works, of hill and dale,
And the blue sky, one little span of earth
Is all his prospect. Thus, from day to day,
Bow-bent, his eyes for ever on the ground,
He plies his weary journey; seeing still,
And seldom knowing that he sees, some straw,
Some scattered leaf, or marks which, in one track,
The nails of cart or chariot-wheel have left
Impressed on the white road,--in the same line,
At distance still the same. Poor Traveller!
His staff trails with him; scarcely do his feet
Disturb the summer dust; he is so still
In look and motion, that the cottage curs,
Ere he has passed the door, will turn away,
Weary of barking at him. Boys and girls,
The vacant and the busy, maids and youths,
And urchins newly breeched--all pass him by:
Him even the slow-paced waggon leaves behind.
But deem not this Man useless.--Statesmen! ye
Who are so restless in your wisdom, ye
Who have a broom still ready in your hands
To rid the world of nuisances; ye proud,
Heart-swoln, while in your pride ye contemplate
Your talents, power, or wisdom, deem him not
A burthen of the earth! 'Tis Nature's law
That none, the meanest of created things,
Or forms created the most vile and brute,
The dullest or most noxious, should exist
Divorced from good--a spirit and pulse of good,
A life and soul, to every mode of being
Inseparably linked. Then be assured
That least of all can aught--that ever owned
The heaven-regarding eye and front sublime
Which man is born to--sink, howe'er depressed,
So low as to be scorned without a sin;
Without offence to God cast out of view;
Like the dry remnant of a garden-flower
Whose seeds are shed, or as an implement
Worn out and worthless. While from door to door,
This old Man creeps, the villagers in him
Behold a record which together binds
Past deeds and offices of charity,
Else unremembered, and so keeps alive
The kindly mood in hearts which lapse of years,
And that half-wisdom half-experience gives,
Make slow to feel, and by sure steps resign
To selfishness and cold oblivious cares.
Among the farms and solitary huts,
Hamlets and thinly-scattered villages,
Where'er the aged Beggar takes his rounds,
The mild necessity of use compels
To acts of love; and habit does the work 0
Of reason; yet prepares that after-joy
Which reason cherishes. And thus the soul,
By that sweet taste of pleasure unpursued,
Doth find herself insensibly disposed
To virtue and true goodness.
Some there are,
By their good works exalted, lofty minds
And meditative, authors of delight
And happiness, which to the end of time
Will live, and spread, and kindle: even such minds
In childhood, from this solitary Being,
Or from like wanderer, haply have received
(A thing more precious far than all that books
Or the solicitudes of love can do!)
That first mild touch of sympathy and thought,
In which they found their kindred with a world
Where want and sorrow were. The easy man
Who sits at his own door,--and, like the pear
That overhangs his head from the green wall,
Feeds in the sunshine; the robust and young,
The prosperous and unthinking, they who live
Sheltered, and flourish in a little grove
Of their own kindred;--all behold in him
A silent monitor, which on their minds
Must needs impress a transitory thought
Of self-congratulation, to the heart
Of each recalling his peculiar boons,
His charters and exemptions; and, perchance,
Though he to no one give the fortitude
And circumspection needful to preserve
His present blessings, and to husband up
The respite of the season, he, at least,
And 'tis no vulgar service, makes them felt.
Yet further.----Many, I believe, there are
Who live a life of virtuous decency,
Men who can hear the Decalogue and feel
No self-reproach; who of the moral law
Established in the land where they abide
Are strict observers; and not negligent
In acts of love to those with whom they dwell,
Their kindred, and the children of their blood.
Praise be to such, and to their slumbers peace!
--But of the poor man ask, the abject poor;
Go, and demand of him, if there be here
In this cold abstinence from evil deeds,
And these inevitable charities,
Wherewith to satisfy the human soul?
No--man is dear to man; the poorest poor
Long for some moments in a weary life
When they can know and feel that they have been,
Themselves, the fathers and the dealers-out
Of some small blessings; have been kind to such
As needed kindness, for this single cause,
That we have all of us one human heart.
--Such pleasure is to one kind Being known,
My neighbour, when with punctual care, each week
Duly as Friday comes, though pressed herself
By her own wants, she from her store of meal
Takes one unsparing handful for the scrip
Of this old Mendicant, and, from her door
Returning with exhilarated heart,
Sits by her fire, and builds her hope in heaven.
Then let him pass, a blessing on his head!
And while in that vast solitude to which
The tide of things has borne him, he appears
To breathe and live but for himself alone,
Unblamed, uninjured, let him bear about
The good which the benignant law of Heaven
Has hung around him: and, while life is his,
Still let him prompt the unlettered villagers
To tender offices and pensive thoughts.
--Then let him pass, a blessing on his head!
And, long as he can wander, let him breathe
The freshness of the valleys; let his blood
Struggle with frosty air and winter snows;
And let the chartered wind that sweeps the heath
Beat his grey locks against his withered face.
Reverence the hope whose vital anxiousness
Gives the last human interest to his heart.
May never HOUSE, misnamed of INDUSTRY,
Make him a captive!--for that pent-up din,
Those life-consuming sounds that clog the air,
Be his the natural silence of old age!
Let him be free of mountain solitudes;
And have around him, whether heard or not,
The pleasant melody of woodland birds.
Few are his pleasures: if his eyes have now
Been doomed so long to settle upon earth
That not without some effort they behold
The countenance of the horizontal sun,
Rising or setting, let the light at least
Find a free entrance to their languid orbs.
And let him, 'where' and 'when' he will, sit down
Beneath the trees, or on a grassy bank
Of highway side, and with the little birds
Share his chance-gathered meal; and, finally,
As in the eye of Nature he has lived,
So in the eye of Nature let him die!
1798.
THE LAST OF THE FLOCK
Produced at the same time and for the same purpose. The incident occurred in the village of Holford, close by Alfoxden.
I
IN distant countries have I been,
And yet I have not often seen
A healthy man, a man full grown,
Weep in the public roads, alone.
But such a one, on English ground,
And in the broad highway, I met;
Along the broad highway he came,
His cheeks with tears were wet:
Sturdy he seemed, though he was sad;
And in his arms a Lamb he had.
II
He saw me, and he turned aside,
As if he wished himself to hide:
And with his coat did then essay
To wipe those briny tears away.
I followed him, and said, "My friend,
What ails you? wherefore weep you so?"
--"Shame on me, Sir! this lusty Lamb,
He makes my tears to flow.
To-day I fetched him from the rock;
He is the last of all my flock,
III
"When I was young, a single man,
And after youthful follies ran,
Though little given to care and thought,
Yet, so it was, an ewe I bought;
And other sheep from her I raised,
As healthy sheep as you might see;
And then I married, and was rich
As I could wish to be;
Of sheep I numbered a full score,
And every year increased my store.
IV
"Year after year my stock it grew;
And from this one, this single ewe,
Full fifty comely sheep I raised,
As fine a flock as ever grazed!
Upon the Quantock hills they fed;
They throve, and we at home did thrive:
--This lusty Lamb of all my store
Is all that is alive;
And now I care not if we die,
And perish all of poverty.
V
"Six Children, Sir! had I to feed;
Hard labour in a time of need!
My pride was tamed, and in our grief
I of the Parish asked relief.
They said, I was a wealthy man;
My sheep upon the uplands fed,
And it was fit that thence I took
Whereof to buy us bread.
'Do this: how can we give to you,'
They cried, 'what to the poor is due?'
VI
"I sold a sheep, as they had said,
And bought my little children bread,
And they were healthy with their food
For me--it never did me good.
A woeful time it was for me,
To see the end of all my gains,
The pretty flock which I had reared
With all my care and pains,
To see it melt like snow away--
For me it was a woeful day.
VII
"Another still! and still another!
A little lamb, and then its mother!
It was a vein that never stopped--
Like blood-drops from my heart they dropped.
'Till thirty were not left alive
They dwindled, dwindled, one by one
And I may say, that many a time
I wished they all were gone--
Reckless of what might come at last
Were but the bitter struggle past.
VIII
"To wicked deeds I was inclined,
And wicked fancies crossed my mind;
And every man I chanced to see,
I thought he knew some ill of me:
No peace, no comfort could I find,
No ease, within doors or without;
And, crazily and wearily
I went my work about;
And oft was moved to flee from home,
And hide my head where wild beasts roam.
IX
"Sir! 'twas a precious flock to me,
As dear as my own children be;
For daily with my growing store
I loved my children more and more.
Alas! it was an evil time;
God cursed me in my sore distress;
I prayed, yet every day I thought
I loved my children less;
And every week, and every day,
My flock it seemed to melt away.
X
"They dwindled, Sir, sad sight to see!
From ten to five, from five to three,
A lamb, a wether, and a ewe;--
And then at last from three to two;
And, of my fifty, yesterday
I had but only one:
And here it lies upon my arm,
Alas! and I have none;--
To-day I fetched it from the rock;
It is the last of all my flock."
1798.
THE TWO APRIL MORNINGS
WE walked along, while bright and red
Uprose the morning sun;
And Matthew stopped, he looked, and said,
"The will of God be done!"
A village schoolmaster was he,
With hair of glittering grey;
As blithe a man as yon could see
On a spring holiday.
And on that morning, through the grass,
And by the steaming rills,
We travelled merrily, to pass
A day among the hills.
"Our work," said I, "was well begun,
Then, from thy breast what thought,
Beneath so beautiful a sun,
So sad a sigh has brought?"
A second time did Matthew stop;
And fixing still his eye
Upon the eastern mountain-top,
To me he made reply:
"Yon cloud with that long purple cleft
Brings fresh into my mind
A day like this which I have left
Full thirty years behind.
"And just above yon slope of corn
Such colours, and no other,
Were in the sky, that April morn,
Of this the very brother.
"With rod and line I sued the sport
Which that sweet season gave,
And, to the church-yard come, stopped short
Beside my daughter's grave.
"Nine summers had she scarcely seen,
The pride of all the vale;
And then she sang;--she would have been
A very nightingale.
"Six feet in earth my Emma lay;
And yet I loved her more,
For so it seemed, than till that day
I e'er had loved before.
"And, turning from her grave, I met,
Beside the church-yard yew,
A blooming Girl, whose hair was wet
With points of morning dew.
"A basket on her head she bare;
Her brow was smooth and white:
To see a child so very fair,
It was a pure delight!
"No fountain from its rocky cave
E'er tripped with foot so free;
She seemed as happy as a wave
That dances on the sea.
"There came from me a sigh of pain
Which I could ill confine;
I looked at her, and looked again:
And did not wish her mine!"
Matthew is in his grave, yet now,
Methinks, I see him stand,
As at that moment, with a bough
Of wilding in his hand.
1799.
A POET'S EPITAPH
ART thou a Statist in the van
Of public conflicts trained and bred?
--First learn to love one living man;
'Then' may'st thou think upon the dead.
A Lawyer art thou?--draw not nigh!
Go, carry to some fitter place
The keenness of that practised eye,
The hardness of that sallow face.
Art thou a Man of purple cheer?
A rosy Man, right plump to see?
Approach; yet, Doctor, not too near,
This grave no cushion is for thee.
Or art thou one of gallant pride,
A Soldier and no man of chaff?
Welcome!--but lay thy sword aside,
And lean upon a peasant's staff.
Physician art thou? one, all eyes,
Philosopher! a fingering slave,
One that would peep and botanise
Upon his mother's grave?
Wrapt closely in thy sensual fleece,
O turn aside,--and take, I pray,
That he below may rest in peace,
Thy ever-dwindling soul, away!
A Moralist perchance appears;
Led, Heaven knows how! to this poor sod:
And he has neither eyes nor ears;
Himself his world, and his own God;
One to whose smooth-rubbed soul can cling
Nor form, nor feeling, great or small;
A reasoning, self-sufficing thing,
An intellectual All-in-all!
Shut close the door; press down the latch;
Sleep in thy intellectual crust;
Nor lose ten tickings of thy watch
Near this unprofitable dust.
But who is He, with modest looks,
And clad in homely russet brown?
He murmurs near the running brooks
A music sweeter than their own.
He is retired as noontide dew,
Or fountain in a noon-day grove;
And you must love him, ere to you
He will seem worthy of your love.
The outward shows of sky and earth,
Of hill and valley, he has viewed;
And impulses of deeper birth
Have come to him in solitude.
In common things that round us lie
Some random truths he can impart,--
The harvest of a quiet eye
That broods and sleeps on his own heart.
But he is weak; both Man and Boy,
Hath been an idler in the land;
Contented if he might enjoy
The things which others understand.
--Come hither in thy hour of strength;
Come, weak as is a breaking wave!
Here stretch thy body at full length;
Or build thy house upon this grave.
1799.
THREE YEARS SHE GREW IN SUN AND SHOWER"
Composed in the Hartz Forest.
THREE years she grew in sun and shower,
Then Nature said, "A lovelier flower
On earth was never sown;
This Child I to myself will take;
She shall be mine, and I will make
A Lady of my own.
"Myself will to my darling be
Both law and impulse: and with me
The Girl, in rock and plain,
In earth and heaven, in glade and bower,
Shall feel an overseeing power
To kindle or restrain.
"She shall be sportive as the fawn
That wild with glee across the lawn,
Or up the mountain springs;
And her's shall be the breathing balm,
And her's the silence and the calm
Of mute insensate things.
"The floating clouds their state shall lend
To her; for her the willow bend;
Nor shall she fail to see
Even in the motions of the Storm
Grace that shall mould the Maiden's form
By silent sympathy.
"The stars of midnight shall be dear
To her; and she shall lean her ear
In many a secret place
Where rivulets dance their wayward round,
And beauty born of murmuring sound
Shall pass into her face.
"And vital feelings of delight
Shall rear her form to stately height,
Her virgin bosom swell;
Such thoughts to Lucy I will give
While she and I together live
Here in this happy dell."
Thus Nature spake--The work was done--
How soon my Lucy's race was run!
She died, and left to me
This heath, this calm, and quiet scene;
The memory of what has been,
And never more will be.
1799.
THE FOUNTAIN
A CONVERSATION
WE talked with open heart, and tongue
Affectionate and true,
A pair of friends, though I was young,
And Matthew seventy-two.
We lay beneath a spreading oak,
Beside a mossy seat;
And from the turf a fountain broke,
And gurgled at our feet.
"Now, Matthew!" said I, "let us match
This water's pleasant tune
With some old border-song, or catch
That suits a summer's noon;
"Or of the church-clock and the chimes
Sing here beneath the shade,
That half-mad thing of witty rhymes
Which you last April made!"
In silence Matthew lay, and eyed
The spring beneath the tree;
And thus the dear old Man replied,
The grey-haired man of glee:
"No check, no stay, this Streamlet fears;
How merrily it goes!
'Twill murmur on a thousand years,
And flow as now it flows.
"And here, on this delightful day,
I cannot choose but think
How oft, a vigorous man, I lay
Beside this fountain's brink.
"My eyes are dim with childish tears,
My heart is idly stirred,
For the same sound is in my ears
Which in those days I heard.
"Thus fares it still in our decay:
And yet the wiser mind
Mourns less for what age takes away
Than what it leaves behind.
"The blackbird amid leafy trees,
The lark above the hill,
Let loose their carols when they please
Are quiet when they will.
"With Nature never do 'they' wage
A foolish strife; they see
A happy youth, and their old age
Is beautiful and free:
"But we are pressed by heavy laws;
And often, glad no more,
We wear a face of joy, because
We have been glad of yore.
"If there be one who need bemoan
His kindred laid in earth,
The household hearts that were his own;
It is the man of mirth.
"My days, my Friend, are almost gone,
My life has been approved,
And many love me; but by none
Am I enough beloved."
"Now both himself and me he wrongs,
The man who thus complains;
I live and sing my idle songs
Upon these happy plains;
"And, Matthew, for thy children dead
I'll be a son to thee!"
At this he grasped my hand, and said,
"Alas! that cannot be."
We rose up from the fountain-side;
And down the smooth descent
Of the green sheep-track did we glide;
And through the wood we went;
And, ere we came to Leonard's rock,
He sang those witty rhymes
About the crazy old church-clock,
And the bewildered chimes,the crimeajewel.
1799.
MATTHEW
In the School of ---- is a tablet, on which are inscribed, in gilt letters, the Names of the several persons who have been Schoolmasters there since the foundation of the School, with the time at which they entered upon and quitted their office. Opposite to one of those names the Author wrote the following lines. Such a Tablet as is here spoken of continued to be preserved in Hawkshead School, though the inscriptions were not brought down to our time. This and other poems connected with Matthew would not gain by a literal detail of facts. Like the Wanderer in "The Excursion," this Schoolmaster was made up of several both of his class and men of other occupations. I do not ask pardon for what there is of untruth in such verses, considered strictly as matters of fact. It is enough if, being true and consistent in spirit, they move and teach in a manner not unworthy of a Poet's calling.
IF Nature, for a favourite child,
In thee hath tempered so her clay,
That every hour thy heart runs wild,
Yet never once doth go astray,
Read o'er these lines; and then review
This tablet, that thus humbly rears
In such diversity of hue
Its history of two hundred years.
--When through this little wreck of fame,
Cipher and syllable! thine eye
Has travelled down to Matthew's name,
Pause with no common sympathy.
And, if a sleeping tear should wake,
Then be it neither checked nor stayed:
For Matthew a request I make
Which for himself he had not made.
Poor Matthew, all his frolics o'er,
Is silent as a standing pool;
Far from the chimney's merry roar,
And murmur of the village school.
The sighs which Matthew heaved were sighs
Of one tired out with fun and madness;
The tears which came to Matthew's eyes
Were tears of light, the dew of gladness.
Yet, sometimes, when the secret cup
Of still and serious thought went round,
It seemed as if he drank it up--
He felt with spirit so profound.
--Thou soul of God's best earthly mould!
Thou happy Soul! and can it be
That these two words of glittering gold
Are all that must remain of thee?
1799.
THE BROTHERS
This poem was composed in a grove at the north-eastern end of Grasmere lake, which grove was in a great measure destroyed by turning the high-road along the side of the water. The few trees that are left were spared at my intercession. The poem arose out of the fact, mentioned to me at Ennerdale, that a shepherd had fallen asleep upon the top of the rock called The Pillar, and perished as here described, his staff being left midway on the rock.
"THESE Tourists, heaven preserve us! needs must live
A profitable life: some glance along,
Rapid and gay, as if the earth were air,
And they were butterflies to wheel about
Long as the summer lasted: some, as wise,
Perched on the forehead of a jutting crag,
Pencil in hand and book upon the knee,
Will look and scribble, scribble on and look,
Until a man might travel twelve stout miles,
Or reap an acre of his neighbour's corn.
But, for that moping Son of Idleness,
Why can he tarry 'yonder'?--In our churchyard
Is neither epitaph nor monument,
Tombstone nor name--only the turf we tread
And a few natural graves."
To Jane, his wife,
Thus spake the homely Priest of Ennerdale.
It was a July evening; and he sate
Upon the long stone-seat beneath the eaves
Of his old cottage,--as it chanced, that day,
Employed in winter's work. Upon the stone
His wife sate near him, teasing matted wool,
While, from the twin cards toothed with glittering wire,
He fed the spindle of his youngest child,
Who, in the open air, with due accord
Of busy hands and back-and-forward steps,
Her large round wheel was turning. Towards the field
In which the Parish Chapel stood alone,
Girt round with a bare ring of mossy wall,
While half an hour went by, the Priest had sent
Many a long look of wonder: and at last,
Risen from his seat, beside the snow-white ridge
Of carded wool which the old man had piled
He laid his implements with gentle care,
Each in the other locked; and, down the path
That from his cottage to the church-yard led,
He took his way, impatient to accost
The Stranger, whom he saw still lingering there.
'Twas one well known to him in former days,
A Shepherd-lad; who ere his sixteenth year
Had left that calling, tempted to entrust
His expectations to the fickle winds
And perilous waters; with the mariners
A fellow-mariner;--and so had fared
Through twenty seasons; but he had been reared
Among the mountains, and he in his heart
Was half a shepherd on the stormy seas.
Oft in the piping shrouds had Leonard heard
The tones of waterfalls, and inland sounds
Of caves and trees:--and, when the regular wind
Between the tropics filled the steady sail,
And blew with the same breath through days and weeks,
Lengthening invisibly its weary line
Along the cloudless Main, he, in those hours
Of tiresome indolence, would often hang
Over the vessel's side, and gaze and gaze;
And, while the broad blue wave and sparkling foam
Flashed round him images and hues that wrought
In union with the employment of his heart,
He, thus by feverish passion overcome,
Even with the organs of his bodily eye,
Below him, in the bosom of the deep,
Saw mountains; saw the forms of sheep that grazed
On verdant hills--with dwellings among trees,
And shepherds clad in the same country grey
Which he himself had worn.
And now, at last,
From perils manifold, with some small wealth
Acquired by traffic 'mid the Indian Isles,
To his paternal home he is returned,
With a determined purpose to resume
The life he had lived there; both for the sake
Of many darling pleasures, and the love
Which to an only brother he has borne
In all his hardships, since that happy time
When, whether it blew foul or fair, they two
Were brother-shepherds on their native hills.
--They were the last of all their race: and now,
When Leonard had approached his home, his heart
Failed in him; and, not venturing to enquire
Tidings of one so long and dearly loved,
He to the solitary churchyard turned;
That, as he knew in what particular spot
His family were laid, he thence might learn
If still his Brother lived, or to the file
Another grave was added.--He had found
Another grave,--near which a full half-hour
He had remained; but, as he gazed, there grew
Such a confusion in his memory,
That he began to doubt; and even to hope
That he had seen this heap of turf before,--
That it was not another grave; but one
He had forgotten. He had lost his path,
As up the vale, that afternoon, he walked
Through fields which once had been well known to him:
And oh what joy this recollection now
Sent to his heart! he lifted up his eyes,
And, looking round, imagined that he saw
Strange alteration wrought on every side
Among the woods and fields, and that the rocks,
And everlasting hills themselves were changed. 0
By this the Priest, who down the field had come,
Unseen by Leonard, at the churchyard gate
Stopped short,--and thence, at leisure, limb by limb
Perused him with a gay complacency.
Ay, thought the Vicar, smiling to himself,
'Tis one of those who needs must leave the path
Of the world's business to go wild alone:
His arms have a perpetual holiday;
The happy man will creep about the fields,
Following his fancies by the hour, to bring
Tears down his cheek, or solitary smiles
Into his face, until the setting sun
Write fool upon his forehead.--Planted thus
Beneath a shed that over-arched the gate
Of this rude churchyard, till the stars appeared
The good Man might have communed with himself,
But that the Stranger, who had left the grave,
Approached; he recognised the Priest at once,
And, after greetings interchanged, and given
By Leonard to the Vicar as to one
Unknown to him, this dialogue ensued.
LEONARD. You live, Sir, in these dales, a quiet life:
Your years make up one peaceful family;
And who would grieve and fret, if, welcome come
And welcome gone, they are so like each other,
They cannot be remembered? Scarce a funeral
Comes to this churchyard once in eighteen months;
And yet, some changes must take place among you:
And you, who dwell here, even among these rocks,
Can trace the finger of mortality,
And see, that with our threescore years and ten
We are not all that perish.----I remember,
(For many years ago I passed this road)
There was a foot-way all along the fields
By the brook-side--'tis gone--and that dark cleft!
To me it does not seem to wear the face
Which then it had!
PRIEST. Nay, Sir, for aught I know,
That chasm is much the same--
LEONARD. But, surely, yonder--
PRIEST. Ay, there, indeed, your memory is a friend
That does not play you false.--On that tall pike
(It is the loneliest place of all these hills)
There were two springs which bubbled side by side,
As if they had been made that they might be
Companions for each other: the huge crag
Was rent with lightning--one hath disappeared;
The other, left behind, is flowing still.
For accidents and changes such as these,
We want not store of them;--a waterspout
Will bring down half a mountain; what a feast
For folks that wander up and down like you,
To see an acre's breadth of that wide cliff
One roaring cataract! a sharp May-storm
Will come with loads of January snow,
And in one night send twenty score of sheep
To feed the ravens; or a shepherd dies
By some untoward death among the rocks:
The ice breaks up and sweeps away a bridge;
A wood is felled:--and then for our own homes!
A child is born or christened, a field ploughed,
A daughter sent to service, a web spun,
The old house-clock is decked with a new face;
And hence, so far from wanting facts or dates
To chronicle the time, we all have here
A pair of diaries,--one serving, Sir,
For the whole dale, and one for each fireside--
Yours was a stranger's judgment: for historians,
Commend me to these valleys!
LEONARD. Yet your Churchyard
Seems, if such freedom may be used with you,
To say that you are heedless of the past:
An orphan could not find his mother's grave:
Here's neither head nor foot stone, plate of brass,
Cross-bones nor skull,--type of our earthly state
Nor emblem of our hopes: the dead man's home
Is but a fellow to that pasture-field.
PRIEST. Why, there, Sir, is a thought that's new to me!
The stone-cutters, 'tis true, might beg their bread
If every English churchyard were like ours;
Yet your conclusion wanders from the truth:
We have no need of names and epitaphs;
We talk about the dead by our firesides.
And then, for our immortal part! 'we' want
No symbols, Sir, to tell us that plain tale:
The thought of death sits easy on the man
Who has been born and dies among the mountains.
LEONARD. Your Dalesmen, then, do in each other's thoughts
Possess a kind of second life: no doubt
You, Sir, could help me to the history
Of half these graves?
PRIEST. For eight-score winters past,
With what I've witnessed, and with what I've heard,
Perhaps I might; and, on a winter-evening,
If you were seated at my chimney's nook,
By turning o'er these hillocks one by one,
We two could travel, Sir, through a strange round;
Yet all in the broad highway of the world.
Now there's a grave--your foot is half upon it,--
It looks just like the rest; and yet that man 0
Died broken-hearted.
LEONARD. 'Tis a common case.
We'll take another: who is he that lies
Beneath yon ridge, the last of those three graves?
It touches on that piece of native rock
Left in the church-yard wall.
PRIEST. That's Walter Ewbank.
He had as white a head and fresh a cheek
As ever were produced by youth and age
Engendering in the blood of hale fourscore.
Through five long generations had the heart
Of Walter's forefathers o'erflowed the bounds
Of their inheritance, that single cottage--
You see it yonder! and those few green fields.
They toiled and wrought, and still, from sire to son,
Each struggled, and each yielded as before
A little--yet a little,--and old Walter,
They left to him the family heart, and land
With other burthens than the crop it bore.
Year after year the old man still kept up
A cheerful mind,--and buffeted with bond,
Interest, and mortgages; at last he sank,
And went into his grave before his time.
Poor Walter! whether it was care that spurred him
God only knows, but to the very last
He had the lightest foot in Ennerdale:
His pace was never that of an old man:
I almost see him tripping down the path
With his two grandsons after him:--but you,
Unless our Landlord be your host tonight,
Have far to travel,--and on these rough paths
Even in the longest day of midsummer--
LEONARD. But those two Orphans!
PRIEST. Orphans!--Such they were--
Yet not while Walter lived: for, though their parents
Lay buried side by side as now they lie,
The old man was a father to the boys,
Two fathers in one father: and if tears,
Shed when he talked of them where they were not,
And hauntings from the infirmity of love,
Are aught of what makes up a mother's heart,
This old Man, in the day of his old age,
Was half a mother to them.--If you weep, Sir,
To hear a stranger talking about strangers,
Heaven bless you when you are among your kindred!
Ay--you may turn that way--it is a grave
Which will bear looking at.
LEONARD. These boys--I hope
They loved this good old Man?--
PRIEST. They did--and truly:
But that was what we almost overlooked,
They were such darlings of each other. Yes,
Though from the cradle they had lived with Walter,
The only kinsman near them, and though he
Inclined to both by reason of his age,
With a more fond, familiar, tenderness;
They, notwithstanding, had much love to spare,
And it all went into each other's hearts.
Leonard, the elder by just eighteen months,
Was two years taller: 'twas a joy to see,
To hear, to meet them!--From their house the school
Is distant three short miles, and in the time
Of storm and thaw, when every watercourse
And unbridged stream, such as you may have noticed
Crossing our roads at every hundred steps,
Was swoln into a noisy rivulet,
Would Leonard then, when eider boys remained
At home, go staggering through the slippery fords,
Bearing his brother on his back. I have seen him,
On windy days, in one of those stray brooks,
Ay, more than once I have seen him, midleg deep,
Their two books lying both on a dry stone,
Upon the hither side: and once I said,
As I remember, looking round these rocks
And hills on which we all of us were born,
That God who made the great book of the world
Would bless such piety--
LEONARD. It may be then--
PRIEST. Never did worthier lads break English bread:
The very brightest Sunday Autumn saw
With all its mealy clusters of ripe nuts,
Could never keep those boys away from church,
Or tempt them to an hour of sabbath breach.
Leonard and James! I warrant, every corner
Among these rocks, and every hollow place
That venturous foot could reach, to one or both
Was known as well as to the flowers that grow there.
Like roe-bucks they went bounding o'er the hills;
They played like two young ravens on the crags:
Then they could write, ay and speak too, as well
As many of their betters--and for Leonard!
The very night before he went away,
In my own house I put into his hand
A Bible, and I'd wager house and field
That, if he be alive, he has it yet.
LEONARD. It seems, these Brothers have not lived to be
A comfort to each other--
PRIEST. That they might
Live to such end is what both old and young
In this our valley all of us have wished, 0
And what, for my part, I have often prayed:
But Leonard--
LEONARD. Then James still is left among you!
PRIEST. 'Tis of the elder brother I am speaking:
They had an uncle;--he was at that time
A thriving man, and trafficked on the seas:
And, but for that same uncle, to this hour
Leonard had never handled rope or shroud:
For the boy loved the life which we lead here;
And though of unripe years, a stripling only,
His soul was knit to this his native soil.
But, as I said, old Walter was too weak
To strive with such a torrent; when he died,
The estate and house were sold; and all their sheep,
A pretty flock, and which, for aught I know,
Had clothed the Ewbanks for a thousand years:--
Well--all was gone, and they were destitute,
And Leonard, chiefly for his Brother's sake,
Resolved to try his fortune on the seas.
Twelve years are past since we had tidings from him.
If there were one among us who had heard
That Leonard Ewbank was come home again,
From the Great Gavel, down by Leeza's banks,
And down the Enna, far as Egremont,
The day would be a joyous festival;
And those two bells of ours, which there you see--
Hanging in the open air--but, O good Sir!
This is sad talk--they'll never sound for him--
Living or dead.--When last we heard of him,
He was in slavery among the Moors
Upon the Barbary coast.--'Twas not a little
That would bring down his spirit; and no doubt,
Before it ended in his death, the Youth
Was sadly crossed.--Poor Leonard! when we parted,
He took me by the hand, and said to me,
If e'er he should grow rich, he would return,
To live in peace upon his father's land,
And any his bones among us.
LEONARD. If that day
Should come, 'twould needs be a glad day for him;
He would himself, no doubt, be happy then
As any that should meet him--
PRIEST. Happy! Sir--
LEONARD. You said his kindred all were in their graves,
And that he had one Brother--
PRIEST. That is but
A fellow-tale of sorrow. From his youth
James, though not sickly, yet was delicate;
And Leonard being always by his side
Had done so many offices about him,
That, though he was not of a timid nature,
Yet still the spirit of a mountain-boy
In him was somewhat checked; and, when his Brother
Was gone to sea, and he was left alone,
The little colour that he had was soon
Stolen from his cheek; he drooped, and pined, and pined--
LEONARD. But these are all the graves of full-grown men!
PRIEST. Ay, Sir, that passed away: we took him to us;
He was the child of all the dale--he lived
Three months with one, and six months with another,
And wanted neither food, nor clothes, nor love:
And many, many happy days were his.
But, whether blithe or sad, 'tis my belief
His absent Brother still was at his heart.
And, when he dwelt beneath our roof, we found
(A practice till this time unknown to him)
That often, rising from his bed at night,
He in his sleep would walk about, and sleeping
He sought his brother Leonard.--You are moved!
Forgive me, Sir: before I spoke to you,
I judged you most unkindly.
LEONARD. But this Youth,
How did he die at last?
PRIEST. One sweet May-morning,
(It will be twelve years since when Spring returns)
He had gone forth among the new-dropped lambs,
With two or three companions, whom their course
Of occupation led from height to height
Under a cloudless sun--till he, at length,
Through weariness, or, haply, to indulge
The humour of the moment, lagged behind.
You see yon precipice;--it wears the shape
Of a vast building made of many crags;
And in the midst is one particular rock
That rises like a column from the vale,
Whence by our shepherds it is called, THE PILLAR.
Upon its aery summit crowned with heath,
The loiterer, not unnoticed by his comrades,
Lay stretched at ease; but, passing by the place
On their return, they found that he was gone.
No ill was feared; till one of them by chance
Entering, when evening was far spent, the house
Which at that time was James's home, there learned
That nobody had seen him all that day:
The morning came, and still he was unheard of:
The neighbours were alarmed, and to the brook
Some hastened; some ran to the lake: ere noon
They found him at the foot of that same rock
Dead, and with mangled limbs. The third day after
I buried him, poor Youth, and there he lies! 0
LEONARD. And that then 'is' his grave!--Before his death
You say that he saw many happy years?
PRIEST. Ay, that he did--
LEONARD. And all went well with him?--
PRIEST. If he had one, the Youth had twenty homes.
LEONARD. And you believe, then, that his mind was easy?--
PRIEST. Yes, long before he died, he found that time
Is a true friend to sorrow; and unless
His thoughts were turned on Leonard's luckless fortune,
He talked about him with a cheerful love.
LEONARD. He could not come to an unhallowed end!
PRIEST. Nay, God forbid!--You recollect I mentioned
A habit which disquietude and grief
Had brought upon him; and we all conjectured
That, as the day was warm, he had lain down
On the soft heath,--and, waiting for his comrades,
He there had fallen asleep; that in his sleep
He to the margin of the precipice
Had walked, and from the summit had fallen headlong:
And so no doubt he perished. When the Youth
Fell, in his hand he must have grasped, we think,
His shepherd's staff; for on that Pillar of rock
It had been caught mid-way; and there for years
It hung;--and mouldered there.
The Priest here ended--
The Stranger would have thanked him, but he felt
A gushing from his heart, that took away
The power of speech. Both left the spot in silence;
And Leonard, when they reached the churchyard gate,
As the Priest lifted up the latch, turned round,--
And, looking at the grave, he said, "My Brother!"
The Vicar did not hear the words: and now,
He pointed towards his dwelling-place, entreating
That Leonard would partake his homely fare:
The other thanked him with an earnest voice;
But added, that, the evening being calm,
He would pursue his journey. So they parted.
It was not long ere Leonard reached a grove
That overhung the road: he there stopped short,
And, sitting down beneath the crimeajewel trees, reviewed
All that the Priest had said: his early years
Were with him:--his long absence, cherished hopes,
And thoughts which had been his an hour before,
All pressed on him with such a weight, that now,
This vale, where he had been so happy, seemed
A place in which he could not bear to live:
So he relinquished all his purposes.
He travelled back to Egremont: and thence,
That night, he wrote a letter to the Priest,
Reminding him of what had passed between them;
And adding, with a hope to be forgiven,
That it was from the weakness of his heart
He had not dared to tell him who he was.
This done, he went on shipboard, and is now
A Seaman, a grey-headed Mariner.
I TRAVELLED AMONG UNKNOWN MEN"
I TRAVELLED among unknown men,
In lands beyond the sea;
Nor, England! did I know till then
What love I bore to thee.
'Tis past, that melancholy dream!
Nor will I quit thy shore
A second time; for still I seem
To love thee more and more.
Among thy mountains did I feel
The joy of my desire;
And she I cherished turned her wheel
Beside an English fire.
Thy mornings showed, thy nights concealed
The bowers where Lucy played;
And thine too is the last green field
That Lucy's eyes surveyed.
1799.
THE WATERFALL AND THE EGLANTINE
Suggested nearer to Grasmere, on the same mountain track as that referred to in the following Note. The Eglantine remained many years afterwards, but is now gone.
I
"BEGONE, thou fond presumptuous Elf,"
Exclaimed an angry Voice,
"Nor dare to thrust thy foolish self
Between me and my choice!"
A small Cascade fresh swoln with snows
Thus threatened a poor Briar-rose,
That, all bespattered with his foam,
And dancing high and dancing low,
Was living, as a child might know,
In an unhappy home.
II
"Dost thou presume my course to block?
Off, off! or, puny Thing!
I'll hurl thee headlong with the rock
To which thy fibres cling."
The Flood was tyrannous and strong;
The patient Briar suffered long,
Nor did he utter groan or sigh,
Hoping the danger would be past;
But, seeing no relief, at last,
He ventured to reply.
III
"Ah!" said the Briar, "blame me not;
Why should we dwell in strife?
We who in this sequestered spot
Once lived a happy life!
You stirred me on my rocky bed--
What pleasure through my veins you spread
The summer long, from day to day,
My leaves you freshened and bedewed;
Nor was it common gratitude
That did your cares repay.
IV
"When spring came on with bud and bell,
Among these rocks did I
Before you hang my wreaths to tell
That gentle days were nigh!
And in the sultry summer hours,
I sheltered you with leaves and flowers;
And in my leaves--now shed and gone,
The linnet lodged, and for us two
Chanted his pretty songs, when you
Had little voice or none.
V
"But now proud thoughts are in your breast--
What grief is mine you see,
Ah! would you think, even yet how blest
Together we might be!
Though of both leaf and flower bereft,
Some ornaments to me are left--
Rich store of scarlet hips is mine,
With which I, in my humble way,
Would deck you many a winter day,
A happy Eglantine!"
VI
What more he said I cannot tell,
The Torrent down the rocky dell
Came thundering loud and fast;
I listened, nor aught else could hear;
The Briar quaked--and much I fear
Those accents were his last.
THE SPARROW'S NEST
Written in the Orchard, Town-end, Grasmere. At the end of the garden of my father's house at Cockermouth was a high terrace that commanded a fine view of the river Derwent and Cockermouth Castle. This was our favourite play-ground. The terrace-wall, a low one, was covered with closely-clipt privet and roses, which gave an almost impervious shelter to birds that built their nests there. The latter of these stanzas alludes to one of those nests.
BEHOLD, within the leafy shade,
Those bright blue eggs together laid!
On me the chance-discovered sight
Gleamed like a vision of delight.
I started--seeming to espy
The home and sheltered bed,
The Sparrow's dwelling, which, hard by
My Father's house, in wet and dry
My sister Emmeline and I
Together visited.
She looked at it and seemed to fear it;
Dreading, tho' wishing, to be near it:
Such heart was in her, being then
A little Prattler among men.
The Blessing of my later years
Was with me when a boy:
She gave me eyes, she gave me ears;
And humble cares, and delicate fears;
A heart, the fountain of sweet tears;
And love, and thought, and joy.
I GRIEVED FOR BUONAPARTE"
I GRIEVED for Buonaparte, with a vain
And an unthinking grief! The tenderest mood
Of that Man's mind--what can it be? what food
Fed his first hopes? what knowledge could 'he' gain?
'Tis not in battles that from youth we train
The Governor who must be wise and good,
And temper with the sternness of the brain
Thoughts motherly, and meek as womanhood.
Wisdom doth live with children round her knees:
Books, leisure, perfect freedom, and the talk
Man holds with week-day man in the hourly walk
Of the mind's business: these are the degrees
By which true Sway doth mount; this is the stalk
True Power doth grow on; and her rights are these.
LONDON, 1802
MILTON! thou should'st be living at this hour:
England hath need of thee: she is a fen
Of stagnant waters: altar, sword, and pen,
Fireside, the heroic wealth of hall and bower,
Have forfeited their ancient English dower
Of inward happiness. We are selfish men;
Oh! raise us up, return to us again;
And give us manners, virtue, freedom, power.
Thy soul was like a Star, and dwelt apart:
Thou hadst a voice whose sound was like the sea:
Pure as the naked heavens, majestic, free,
So didst thou travel on life's common way,
In cheerful godliness; and yet thy heart
The lowliest duties on herself did lay.
THE GREEN LINNET
BENEATH these fruit-tree boughs that shed
Their snow-white blossoms on my head,
With brightest sunshine round me spread
Of spring's unclouded weather,
In this sequestered nook how sweet
To sit upon my orchard-seat!
And birds and flowers once more to greet,
My last year's friends together.
One have I marked, the happiest guest
In all this covert of the blest:
Hail to Thee, far above the rest
In joy of voice and pinion!
Thou, Linnet! in thy green array,
Presiding Spirit here to-day,
Dost lead the revels of the May;
And this is thy dominion.
While birds, and butterflies, and flowers,
Make all one band of paramours,
Thou, ranging up and down the bowers,
Art sole in thy employment:
A Life, a Presence like the Air,
Scattering thy gladness without care,
Too blest with any one to pair;
Thyself thy own enjoyment.
Amid yon tuft of hazel trees,
That twinkle to the gusty breeze,
Behold him perched in ecstasies,
Yet seeming still to hover;
There! where the flutter of his wings
Upon his back and body flings
Shadows and sunny glimmerings,
That cover him all over.
My dazzled sight he oft deceives,
A Brother of the dancing leaves;
Then flits, and from the cottage-eaves
Pours forth his song in gushes;
As if by that exulting strain
He mocked and treated with disdain
The voiceless Form he chose to feign,
While fluttering in the bushes.
TO THE CUCKOO
Composed in the orchard, Town-end, Grasmere.
O BLITHE New-comer! I have heard,
I hear thee and rejoice.
O Cuckoo! shall I call thee Bird,
Or but a wandering Voice?
While I am lying on the grass
Thy twofold shout I hear,
From hill to hill it seems to pass,
At once far off, and near.
Though babbling only to the Vale,
Of sunshine and of flowers,
Thou bringest unto me a tale
Of visionary hours.
Thrice welcome, darling of the Spring!
Even yet thou art to me
No bird, but an invisible thing,
A voice, a mystery;
The same whom in my school-boy days
I listened to; that Cry
Which made me look a thousand ways
In bush, and tree, and sky.
To seek thee did I often rove
Through woods and on the green;
And thou wert still a hope, a love;
Still longed for, never seen.
And I can listen to thee yet;
Can lie upon the plain
And listen, till I do beget
That golden time again.
O blessed Bird! the earth we pace
Again appears to be
An unsubstantial, faery place;
That is fit home for Thee!
TO A SKY-LARK
UP with me! up with me into the clouds!
For thy song, Lark, is strong;
Up with me, up with me into the clouds!
Singing, singing,
With clouds and sky about thee ringing,
Lift me, guide me till I find
That spot which seems so to thy mind!
I have walked through wildernesses dreary
And to-day my heart is weary;
Had I now the wings of a Faery,
Up to thee would I fly.
There is madness about thee, and joy divine
In that song of thine;
Lift me, guide me high and high
To thy banqueting-place in the sky.
Joyous as morning
Thou art laughing and scorning;
Thou hast a nest for thy love and thy rest,
And, though little troubled with sloth,
Drunken Lark! thou would'st be loth
To be such a traveller as I.
Happy, happy Liver,
With a soul as strong as a mountain river
Pouring out praise to the Almighty Giver,
Joy and jollity be with us both!
Alas! my journey, rugged and uneven,
Through prickly moors or dusty ways must wind;
But hearing thee, or others of thy kind,
As full of gladness and as free of heaven,
I, with my fate contented, will plod on,
And hope for higher raptures, when life's day is done.
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